By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
By this stage, dancers are fluent in the Nevet and Kinetica language and are able to advance to Nadine Bommer’s method of creation: Animato.
In seeking to empower the experience of movement, Bommer creates a diversity of figures and situations which challenge the dancer into expressive and artistic creation.
